Policy:
Jane
Eyre should be treated as a Gothic romance despite apparently incongruous
chapters set at at Marsh End, because its Gothic elements create patriarchal
gender expectations that define Jane’s dilemma.
Definition:
The Marsh End section of Jane
Eyre is Charlotte Bronte’s implicit criticism of the Gothic genre for
its justification of patriarchal gender expectations.
Comparison:
In Jane Eyre, patriarchal
institutions are unlike traditional antagonists because the novel’s
Gothic genre promotes and justifies certain patriarchal expectations within
readers themselves.
Evaluation:
Although the Marsh End chapters of Jane Eyre have been criticized for defying genre expectations,
their inclusion is good for Jane’s feminist quest because they enable
her to reflect upon her archetypal role as the virginal maiden.
Cause/Effect:
Gothic conventions within Jane Eyre cause readers to adopt some of the patriarchal
gender expectations that define Jane’s dilemma, exposing parallel antagonistic
tendencies within each reader.
Tossing around more ideas on this goodreads discussion
ReplyDeleteThe last two of these seem to me to be most ready to lead to your writing. Nicely specific. Just be sure that you adequately qualify your argument so that you are not taking on all of patriarchal or feminist issues. Of course you will need to define the gothic as you go along.
ReplyDeleteI like the fourth claim as well. Is the virginal maiden a trope seen in other Gothic works?
ReplyDeleteI had never thought of Jane Eyre having a feminist quest. So I would like to see you take your evaluation claim further. Jane is so good and fair,and so selfless, just hard to think of her in terms of a feminist.
ReplyDeleteThank you for your thoughts. Here are some further revisions.
ReplyDelete